Via Joystiq:

“Scripts are late. Writers are two years late. I was two weeks late,” Bloodrayne film screenwriter Guinevere Turner passionately explains in an interview pulled from “Tales From the Script,” a documentary showcasing stories from across the world of screenwriting. “Uwe Boll calls me [on the phone], ‘This is fucking disgusting! You lied to me! Where is my script?!’,” she continues, demonstrating how she held the phone away from her head as he yelled.

Unsurprisingly, Turner wasn’t a fan of being yelled at, and instructed her manager to make sure she never heard from Boll again. When she turned in the script, however, Turner still expected to work with Boll on future drafts. That wasn’t to be, as she recalls that Boll accepted the very first “nasty, little scrappy draft”and went right into production (though she notes that only about 20 percent of what she wrote made it into the film’s final cut). When Bloodrayne finally debuted at Los Angeles’ famous “Mann’s Chinese Theater,” Turner says she was the only one in the room of production staff “laughing out loud.”

Adding insult to injury, Turner closes the interview by saying, “It’s like a 25 million dollar movie, and it blows! I mean, it’s like the worst movie ever made.” But then, maybe she hasn’t seen Far Cry?

By Ben Gilbert

Source: http://www.joystiq.com/2011/10/26/bloodrayne-screenwriter-explains-the-perils-of-working-with-uwe/

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I do a thing that is commonly called Yarn Bombing.  (And by “commonly called” I mean that no one has ever heard of it, but those who have call it Yarn Bombing).   It is the simple act of putting creations made of yarn onto objects outside – sweaters for trees are popular, cozies for bike racks, and people seem to be drawn to adorning newspaper boxes.   The aesthetic is generally one of grandma-gone-hippie-gone mad:  a mish mosh of yarns made into something cute and sewn around the trunk of a tree in the middle of the night by a girl in Portland with a tribal tattoo.   In actual fact, my Los Angeles yarn bombing group is anything but that – it is a multi ethnic and aged group of women (and one man!) who are mostly not hipster at all, and who can crochet internal organs and knit hundreds of hummingbirds.

I myself am partial to making scarves, sweaters, vests and hoodies for a statue of a bear in Griffith Park.    It’s work that takes a lot of measuring, planning, time and a little bit of stealth.   I certainly wouldn’t call it “bombing”.   That implies that I throw a bunch of yarn and run, and it’s far more complicated than that.   It’s street art – it takes skill and some amount of cajones.  It is illegal.   OK, but not crazy illegal – it’s technically not vandalism, it’s just littering.    But when you are putting bunny ears on the statue of a bear at 6 am on Easter Morning, at the very least you run the risk of people yelling at you from cars.   Mostly it’s honks of approval, and one guy walked up to me and said,  “Why are you doing that?” in the tone someone might say,  “Get a job.”  Next up for me:  keep an eye on the hedges that adorn the entrance to Royce Hall on the UCLA campus on October 15^th.    Oh and if you see me, please call me Captain Hook.  That’s my street art name.   And if my face is blurred and my voice is distorted, don’t take it personally.

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